Room 26 Cabinet of Curiosities

Flare

Posted in Beinecke Library, Yale Collection of American Literature by beineckepoetry on October 29, 2009

a new artists’ book by Thomas Nozkowski and Cole Swensen
co-published by Yale University Art Gallery &
Beinecke Rare Book and Manuscript Library

The Beinecke Library is pleased to announce the publication of Flare, the culminating project of the 2007–2008 collaborative Artist and Poet in Residence Program sponsored by the Yale University Art Gallery & Beinecke Rare Book and Manuscript Library, Yale University.

The book includes new poems by Cole Swensen and new prints by Thomas Nozkowski. The poet and illustrator visited Yale together on several occasions to work on this project, influencing one another’s artistic process and the completed work; the book reflects the makers’ creative conversation and collaboration. Original prints from Flare are currently  on view in the exhibition Continuous Present at the Yale University Art Gallery.

Flare can be ordered from Yale University Press: http://yalepress.yale.edu/yupbooks/book.asp?isbn=9780300162400.

Thomas Nozkowski currently lives and works in New York. Cole Swensen is the author of over ten poetry collections and as many translations of works from the French.

Ripe

Posted in Beinecke Library by beineckepoetry on October 27, 2009

Fruits and vegetables from the Beinecke garden.

Photograph by Carl Van Vechten
Photographs by Carl Van Vechten are used with permission of the Van Vechten Trust; permission of the Trust is required to publish Van Vechten photographs in any format. To learn more, contact the Curator, Yale Collection of American Literature.

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Tender Buttons

Posted in Beinecke Library by beineckepoetry on October 22, 2009

The new issue of ESOPUS Magazine features an article by Beinecke Library Catalog Librarian Ellen Ellickson about a collection of buttons kept by Marjorie Wynne, who served as Rare Book Librarian at Yale for over 40 years. Ellen writes movingly about memories of Marjorie and the reasons why the  packages of buttons are so well-organized. Accompanying the essay are beautifully composed photographs of a selection of buttons. Two shots below have been provided by Tod Lippy, publisher of ESOPUS, described on its website as “. . . a twice-yearly arts magazine featuring fresh, unmediated perspectives on contemporary culture from a wide range of creative professionals. ”

A memorial reception celebrating the life and work of Miss Wynne will be held at the Beinecke Library on Friday, October 30th, from 5:30 – 7:00. A copy of ESOPUS with the article by Ellen Ellickson will be on display.

Bonnie and Semoura and Co.

Images from the Bonnie and Semoura Clark Black Vaudeville Collection (Call Number: JWJ MSS 15); for related images see “Ruckus! American Entertainments at the Turn of the Twentieth Century”

Bonnie & Semoura Clark

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Southern Pastimes

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Blaine & Brown

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a chorus line

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The Kentucky Trio

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Mack & Mack

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Gus Stevens

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Icteric

Posted in Beinecke Library, General Modern Collection by beineckepoetry on October 15, 2009

The first issue of Icteric, an arts magazine published in 1967-68 by David and Stuart Wise, who would go on to form the King Mob.

Eyes on the Half Shell

Posted in Beinecke Library, Yale Collection of American Literature by beineckepoetry on October 12, 2009

Two covers and an interior page from The Blindman,
the Dada magazine published by Marcel Duchamp, Beatrice Wood, and Henri Pierre Roche.

Shoot your own shadow

Posted in Beinecke Library, General Modern Collection by beineckepoetry on October 9, 2009

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A Woman’s Wealth is her Constant Beauty

Display placards promoting fashions and hairstyles for African American women.  (JWJ MSS 47)

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Display placards that promote fashions and hairstyles for African American women created for the grand opening of the Negro Industrial Fair at the headquarters of the Greater New York Coordinating Committee for Employment at 132 West 125th Street, Harlem, New York, June 24, 1939, which coincided with the New York World’s Fair. The placards include hand-painted lettering and halftone photographs of African American women, as well as human hair samples that demonstrate hair coloring tints produced by the Clairol Company. (MM)

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