Room 26 Cabinet of Curiosities

Hard Time Blues

Photographs of dancer and choreographer Pearl Primus dancing “Hard Time Blues,” her dance based on a folk song about sharecropping by singer Josh White. Primus was well known and widely celebrated for her dance performances based on important African American poems and songs, including “The Negro Speaks of Rivers” by Langston Hughes and “Strange Fruit” by Lewis Allen. Photographs by Carl Van Vechten, 1943.

Additional resources: Pearl Primus on Wikipedia; Josh White on Wikipedia; Carl Van Vechten on Wikipedia. All photographs by Carl Van Vechten are used with permission of the Van Vechten Trust; the permission of the Trust is required to reprint or use Van Vechten photographs in any way. To contact the Trust email: Van Vechten Trust.

Eee!-vacuation

Posted in Beinecke Library, Cary Playing Card Collection by beineckepoetry on May 24, 2008

From the “Vacuation” card game, England, ca. 1940

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Le Détective!

Posted in Beinecke Library by beineckepoetry on May 19, 2008

Issue #1 of this Paris investigative newspaper.

 

 

 

Can’t We All Just Get Along?

Posted in Beinecke Library, General Modern Collection by beineckepoetry on May 15, 2008

Issues of a newsletter for a gay men’s community, near Amherst, Mass. in the 1970s.

[Click to enlarge]

Writers at Work

The reason is . . .

Posted in Beinecke Library, General Modern Collection by beineckepoetry on May 8, 2008

. . . it is a strikingly beautiful image.

Natalia Gontcharova’s cover for Lord Berners’ song, “Poisson d’Or”, 1919.

http://www.nytimes.com/books/first/a/amory-berners.html
http://www.bookrags.com/Natalia_Goncharova

Playing Dirty

Posted in Beinecke Library by beineckepoetry on May 5, 2008

Selected images from a collection of novelty baseball postcards, circa 1910 (Call Number: Gen MSS File 359).

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Captain Ginger!

Posted in Beinecke Library, Shirley Collection by beineckepoetry on May 1, 2008

A set of 5 (out of 6 published) titles in the Captain Ginger series,
written by Isabel Anderson and published in 1910 & 1911. (Boston : C.M. Clark).
These copies were the author’s own, specially bound in limp suede covers.